Materia Prima at the Kinemathek Karlsruhe: Lithium, Colonial History, and Global Responsibility


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Materia Prima: The Raw Material Race for the Future
The documentary Materia Prima – New Energy. Old Powers? takes place on October 30, 2026, at the Kinemathek Karlsruhe, leading us to the Bolivian highlands, where lithium becomes a symbol of a global energy transition and simultaneously a litmus test for justice, self-determination, and decolonization. Director Jens Schanze will be present and available for discussions afterward.
Lithium Between Energy Transition and Exploitation
Lithium is considered a key raw material for energy storage, electric cars, data centers, and smartphones. The film tracks the conflicting interests that converge on Bolivia's vast reserves: European companies and political actors seek the resource for industrial transformation, while the Bolivian population sees it as a way to overcome poverty and economic dependence.
A Documentary Reflection with a Global Perspective
Jens Schanze combines observational cinematography with a polyphonic narrative style. European negotiations, Bolivian government decisions, and the mobilization of civil society groups relate to the lived realities of farmers, llama herders, miners, lawyers, and political activists. Particularly striking is the role of women, who organize resistance against a new form of extractive economic model.
500 Years of Colonial History in the Present's View
The film's dramaturgy opens the current resource conflict to a historical dimension. A chronicle from a 16th-century indigenous eyewitness reshapes perspectives on the present and raises questions about the willingness to decolonize. Thus, an ambitious artistic experience emerges, blending political documentary, visual research, and cultural-historical reflection.
Direction, Awards, and Festival Reception
Jens Schanze works as an author, director, and producer of documentaries. His films often deal with societal upheavals, global power relations, and the consequences of economic decisions. Materia Prima has been shown at CPH:DOX, DOK.fest Munich, and DOC NYC, among others. The film score by Atena Eshtiaghi received the German Documentary Film Music Award at DOK.fest Munich 2026.
Conclusion: An Evening of Film for a More Critical Future
The Karlsruhe audience can expect a focused aesthetic experience that combines political analysis, impressive landscape images, and personal perspectives. The subsequent encounter with Jens Schanze deepens the reflection on the work and opens space for questions regarding the energy transition, global resource policies, and cultural responsibility. Those who wish to not only observe the present but understand it in its historical contexts should experience this film evening live at the Kinemathek.
Official Channels of Jens Schanze and Materia Prima:
- Instagram: https://www.instagram.com/materiaprima_film
- Website: https://www.materiaprimafilm.net/
- Film Distribution: https://www.cineglobal.de/materiaprima/









